英语词源字典 - 在线词源网站

lurch: lurch: English has two words lurch, both with rather obscure histories. The verb, ‘stagger’ [19], appears to come from an earlier lee-lurch, which in turn may have been an alteration of an 18th-century nautical term lee-latch, denoting ‘drifting to leeward’. The latch element may have come from French lâcher ‘let go’. The lurch of leave someone in the lurch [16] originated as a term in backgammon, denoting a ‘defeat’, ‘low score’, or ‘position of disadvantage’. It was borrowed from French lourche, which probably goes back to Middle High German lurz ‘left’, hence ‘wrong’, ‘defeat’.
novel: novel: English has acquired the word novel in several distinct instalments. First to arrive was the adjective, ‘new’ [15], which came via Old French from Latin novellus, a derivative of novus ‘new’ (to which English new is distantly related). (The Old French derived noun novelte had already reached English as novelty [14].) Next on the scene was a now obsolete noun novel ‘new thing, novelty’ [15], which went back to Latin novella, a noun use of the neuter plural of novellus.

In Italian, novellus became novello, and this was used in storia novella, literally ‘new story’, a term which denoted ‘short story’. English adopted this as a third novel [16], at first referring specifically to Italian short stories of the type written by Boccaccio, but by the mid- 17th century being extended to a longer ‘prose narrative’ (the original Italian novella was reborrowed in the early 20th century for a ‘short novel’).

English is also indebted to Latin novus for nova [19] (etymologically a ‘new star’) and novice [14].
rag: rag: English has four separate words rag, none of them with very well-documented histories. The origins of the oldest, ‘rough building stone’ [13], are completely unknown. Rag ‘piece of cloth’ [14] is probably a back-formation from ragged [13], which was adapted from Old Norse roggvathr ‘tufted’. This in turn was derived from rogg ‘tuft of fur’, but no one knows where that came from. Rag ‘taunt, piece of fun’ [18] is completely mysterious, although some connection with Danish dialect rag ‘grudge’ has been suggested. And finally rag ‘syncopated jazz’ [19] is short for ragtime, which is probably an alteration of ragged time.
series: series: [17] Latin seriēs (from which English got series) denoted a ‘succession of things connected together’. It was derived from serere ‘connect’, which has also given English assert and insert [16]. Serial [19] was coined specifically with reference to stories published in instalments.
=> assert, insert, serial
tabloid: tabloid: [19] Tabloid originated as a trade-name for a brand of tablets of condensed medicine, registered in 1884 by Burroughs, Wellcome and Company. It was an alteration of tablet [14], which came from Old French tablete, a diminutive form of table (source of English table). This originally denoted a ‘slab for writing on or inscribing’. Such slabs would have been flat and often quite small, and in the late 16th century the term came to be applied to a ‘flat compressed piece of something’ – such as soap or medicine.

The notion of ‘compression’ or ‘condensation’ underlies the use of tabloid for newspapers of small page size and ‘condensed’ versions of news stories, which emerged at the beginning of the 20th century (‘He advocated tabloid journalism’, Westminster gazette 1 January 1901).
=> table
Achilles: Greek hero of the Trojan War stories, son of Thetis and Peleus, his name is perhaps a compound of akhos "pain, grief" (see awe) + laos "the people, a people" (see lay (adj.)); or else it is from a pre-Greek language.
Aladdin: name of a hero in stories from the Arabian Nights, from Arabic Ala' al Din, literally "nobility of faith."
anecdote (n.): 1670s, "secret or private stories," from French anecdote (17c.) or directly from Greek anekdota "things unpublished," neuter plural of anekdotos, from an- "not" (see an-) + ekdotos "published," from ek- "out" + didonai "to give" (see date (n.1)).

Procopius' 6c. Anecdota, unpublished memoirs of Emperor Justinian full of court gossip, gave the word a sense of "revelation of secrets," which decayed in English to "brief, amusing stories" (1761).
chanticleer (n.): "a cock," c. 1300, from Old French Chantecler "sing-loud" (Modern French Chanteclair), name of the cock in medieval stories of Reynard the Fox; from chanter "to sing" (see chant (v.)) + cler (see clear (adj.)).
classical (adj.): 1590s, "of the highest rank" (originally in literature), from classic + -al (1). Classical music (1836) was defined originally against romantic music.
[I]n general, as now used, the term classical includes the composers active in instrumental music from somewhere about 1700 to say 1830. Hence the list includes among the great names those of Bach, his sons, Haydn, Mozart, Beethoven, Clementi, Dussek, Pleyel, Cramer, etc. The next step beyond the term classical is "modern romantic," the composers of which school may be taken to include all the writers for pianoforte from about 1829 (when Mendelssohn published the first "Songs without Words") down to the present. The term romantic in this sense means strongly marked, extraordinary, intending to tell stories and the like. ["Music, Its Ideals and Methods," W.S.B. Mathews, 1897]
But already by 1880s it was acknowledged the term had a double sense: Music that had withstood the test of time, as well as music of a style contrasted to "romantic." Later (early 20c.) it was contrasted to jazz (in this sense more often with reference to the orchestras than to the music itself). Still later in contrast to popular music generally (mid-20c.).
comedy (n.): late 14c., from Old French comedie (14c., "a poem," not in the theatrical sense), from Latin comoedia, from Greek komoidia "a comedy, amusing spectacle," probably from komodios "actor or singer in the revels," from komos "revel, carousal, merry-making, festival," + aoidos "singer, poet," from aeidein "to sing," related to oide (see ode).
The passage on the nature of comedy in the Poetic of Aristotle is unfortunately lost, but if we can trust stray hints on the subject, his definition of comedy (which applied mainly to Menander) ran parallel to that of tragedy, and described the art as a purification of certain affections of our nature, not by terror and pity, but by laughter and ridicule. [Rev. J.P. Mahaffy, "A History of Classical Greek Literature," London, 1895]
The classical sense of the word, then, was "amusing play or performance," which is similar to the modern one, but in the Middle Ages the word came to mean poems and stories generally (albeit ones with happy endings), and the earliest English sense is "narrative poem" (such as Dante's "Commedia"). Generalized sense of "quality of being amusing" dates from 1877.
Comedy aims at entertaining by the fidelity with which it presents life as we know it, farce at raising laughter by the outrageous absurdity of the situation or characters exhibited, & burlesque at tickling the fancy of the audience by caricaturing plays or actors with whose style it is familiar. [Fowler]
creationism (n.): 1847, originally a Christian theological position that God immediately created a soul for each person born; from creation + -ism. As a name for the religious reaction to Darwin, opposed to evolution, it is attested from 1880.
James Ussher (1581-1656), Archbishop of Armagh, Primate of All Ireland, and Vice-Chancellor of Trinity College in Dublin was highly regarded in his day as a churchman and as a scholar. Of his many works, his treatise on chronology has proved the most durable. Based on an intricate correlation of Middle Eastern and Mediterranean histories and Holy writ, it was incorporated into an authorized version of the Bible printed in 1701, and thus came to be regarded with almost as much unquestioning reverence as the Bible itself. Having established the first day of creation as Sunday 23 October 4004 B.C. ... Ussher calculated the dates of other biblical events, concluding, for example, that Adam and Eve were driven from Paradise on Monday 10 November 4004 BC, and that the ark touched down on Mt Ararat on 5 May 1491 BC "on a Wednesday". [Craig, G.Y., and E.J. Jones, "A Geological Miscellany," Princeton University Press, 1982.]
end (n.): Old English ende "end, conclusion, boundary, district, species, class," from Proto-Germanic *andja (cognates: Old Frisian enda, Old Dutch ende, Dutch einde, Old Norse endir "end;" Old High German enti "top, forehead, end," German Ende, Gothic andeis "end"), originally "the opposite side," from PIE *antjo "end, boundary," from root *ant- "opposite, in front of, before" (see ante).
Worldly wealth he cared not for, desiring onely to make both ends meet. [Thomas Fuller, "The History of the Worthies of England," 1662]
Original sense of "outermost part" is obsolete except in phrase ends of the earth. Sense of "destruction, death" was in Old English. Meaning "division or quarter of a town" was in Old English. The end "the last straw, the limit" (in a disparaging sense) is from 1929. The end-man in minstrel troupes was one of the two at the ends of the semicircle of performers, who told funny stories and cracked jokes with the middle-man. U.S. football end zone is from 1909 (end for "side of the field occupied by one team" is from 1851). The noun phrase end-run is attested from 1893 in U.S. football; extended to military tactics by 1940. End time in reference to the end of the world is from 1917. To end it all "commit suicide" is attested by 1911. Be-all and end-all is from Shakespeare ("Macbeth" I.vii.5).
etymology (n.): late 14c., ethimolegia "facts of the origin and development of a word," from Old French etimologie, ethimologie (14c., Modern French étymologie), from Latin etymologia, from Greek etymologia "analysis of a word to find its true origin," properly "study of the true sense (of a word)," with -logia "study of, a speaking of" (see -logy) + etymon "true sense," neuter of etymos "true, real, actual," related to eteos "true," which perhaps is cognate with Sanskrit satyah, Gothic sunjis, Old English soð "true."

Latinized by Cicero as veriloquium. In classical times, with reference to meanings; later, to histories. Classical etymologists, Christian and pagan, based their explanations on allegory and guesswork, lacking historical records as well as the scientific method to analyze them, and the discipline fell into disrepute that lasted a millennium. Flaubert ["Dictionary of Received Ideas"] wrote that the general view was that etymology was "the easiest thing in the world with the help of Latin and a little ingenuity."

As a modern branch of linguistic science treating of the origin and evolution of words, from 1640s. As "account of the particular history of a word" from mid-15c. Related: Etymological; etymologically.
fairy (n.): c. 1300, fairie, "the country or home of supernatural or legendary creatures; fairyland," also "something incredible or fictitious," from Old French faerie "land of fairies, meeting of fairies; enchantment, magic, witchcraft, sorcery" (12c.), from fae "fay," from Latin fata "the Fates," plural of fatum "that which is ordained; destiny, fate," from PIE *bha- "to speak" (see fame (n.)). Also compare fate (n.), also fay.
In ordinary use an elf differs from a fairy only in generally seeming young, and being more often mischievous. [Century Dictionary]
But that was before Tolkien. As a type of supernatural being from late 14c. [contra Tolkien; for example "This maketh that ther been no fairyes" in "Wife of Bath's Tale"], perhaps via intermediate forms such as fairie knight "supernatural or legendary knight" (c. 1300), as in Spenser, where faeries are heroic and human-sized. As a name for the diminutive winged beings in children's stories from early 17c.
Yet I suspect that this flower-and-butterfly minuteness was also a product of "rationalization," which transformed the glamour of Elfland into mere finesse, and invisibility into a fragility that could hide in a cowslip or shrink behind a blade of grass. It seems to become fashionable soon after the great voyages had begun to make the world seem too narrow to hold both men and elves; when the magic land of Hy Breasail in the West had become the mere Brazils, the land of red-dye-wood. [J.R.R. Tolkien, "On Fairy-Stories," 1947]
Hence, figurative adjective use in reference to lightness, fineness, delicacy. Slang meaning "effeminate male homosexual" is recorded by 1895. Fairy ring, of certain fungi in grass fields (as we would explain it now), is from 1590s. Fairy godmother attested from 1820. Fossil Cretaceous sea urchins found on the English downlands were called fairy loaves, and a book from 1787 reports that "country people" in England called the stones of the old Roman roads fairy pavements.
fiction (n.): early 15c., ficcioun, "that which is invented or imagined in the mind," from Old French ficcion "dissimulation, ruse; invention, fabrication" (13c.) and directly from Latin fictionem (nominative fictio) "a fashioning or feigning," noun of action from past participle stem of fingere "to shape, form, devise, feign," originally "to knead, form out of clay," from PIE *dheigh- "to build, form, knead" (source also of Old English dag "dough;" see dough).

Meaning "prose works (not dramatic) of the imagination" is from 1590s, at first often including plays and poems. Narrower sense of "the part of literature comprising novels and short stories based on imagined scenes or characters" is by early 19c. The legal sense (fiction of law) is from 1580s. A writer of fiction could be a fictionist (1827). The related Latin words included the literal notion "worked by hand," as well as the figurative senses of "invented in the mind; artificial, not natural": Latin fictilis "made of clay, earthen;" fictor "molder, sculptor" (also borrowed 17c. in English), but also of Ulysses as "master of deceit;" fictum "a deception, falsehood; fiction."
file (v.1): "place (papers) in consecutive order for future reference," mid-15c., from Old French filer "string documents on a thread or wire for preservation or reference" (15c.), earlier "to spin thread," from fil "thread, string" (12c.), from Latin filum "a thread, string; thread of fate; cord, filament," from PIE *gwhis-lom (cognates: Armenian jil "sinew, string, line," Lithuanian gysla "vein, sinew," Old Church Slavonic zila "vein"), from root *gwhi- "thread, tendon." The notion is of documents hung up on a line in consecutive order for ease of reference.
File (filacium) is a threed or wyer, whereon writs, or other exhibits in courts, are fastened for the better keeping of them. [Cowel, "The Interpreter," 1607]
Methods have become more sophisticated, but the word has stuck. Meaning "place among the records of a court or office" is from 1510s; of newspaper reporters sending in stories, 1954. Intransitive sense "march in a line (as soldiers do) one after another" is from 1610s. Related: Filed; filing.
Gibson girl (n.): "woman considered stylish at the turn of the 20th century," 1894, named for U.S. artist and illustrator Charles Dana Gibson (1867-1944), whose main model was his wife, Irene Langhorne (1873-1956). The Gibson cocktail (gin, vermouth, and a pearl onion) is attested by 1914, in some stories ascribed to him but the origin of the term is unknown.
"She looks like a Gibson girl" is not an uncommon saying; and to look like a Gibson girl, is not without its merits. Although our artist has expressed in his drawings disapproval of women usurping the spheres of men, his girls suggest intellectuality. He has none of the doll-like inanely pretty faces which artists used to give women in olden days. His girls look as if they would have opinions of their own and would act with discrimination in the affairs of life. They are tall and graceful and although not in the least like fashion plates, their clothes are becoming and fit perfectly. [National Magazine, May 1898]
Gotham (n.): "New York City," first used by Washington Irving in "Salmagundi" (1807), based on "Merrie Tales of the Mad Men of Gotham" (1460), a collection of legendary stories of English villagers alternately wise and foolish. There is a village of this name in Nottinghamshire, originally Gatham (1086), in Old English, "Enclosure (literally 'homestead') where goats are kept." It is unknown if this was the place intended in the stories. Related: Gothamite.
Grub-street (n.): 1620s, "originally the name of a street in Moorfields in London, much inhabited by writers of small histories, dictionaries, and temporary poems; whence any mean production is called grubstreet" [Johnson]. The place was renamed 1830 to Milton Street (after a local developer) then erased entirely 1970s by the Barbicon complex.
hoodlum (n.): popularized 1871, American English, (identified throughout the 1870s as "a California word") "young street rowdy, loafer," especially one involved in violence against Chinese immigrants, "young criminal, gangster;" it appears to have been in use locally from a slightly earlier date and may have begun as a specific name of a gang:
The police have recently been investigating the proceedings of a gang of thieving boys who denominate themselves and are known to the world as the Hoodlum Gang. [San Francisco "Golden Era" newspaper, Feb. 16, 1868, p.4]
Of unknown origin, though newspapers of the day printed myriad fanciful stories concocted to account for it. A guess perhaps better than average is that it is from German dialectal (Bavarian) Huddellump "ragamuffin" [Barnhart].
What the derivation of the word "hoodlum" is we could never satisfactorily ascertain, though several derivations have been proposed; and it would appear that the word has not been very many years in use. But, however obscure the word may be, there is nothing mysterious about the thing; .... [Walter M. Fisher, "The Californians," London, 1876]
horse (n.): Old English hors, from Proto-Germanic *hursa- (cognates: Old Norse hross, Old Frisian hors, Middle Dutch ors, Dutch ros, Old High German hros, German Roß "horse"), of unknown origin, connected by some with PIE root *kurs-, source of Latin currere "to run" (see current (adj.)).

The usual Indo-European word is represented by Old English eoh, from PIE *ekwo- "horse" (see equine). In many other languages, as in English, this root has been lost in favor of synonyms, probably via superstitious taboo on uttering the name of an animal so important in Indo-European religion.

Used since at least late 14c. of various devices or appliances which suggest a horse (as in sawhorse). To ride a horse that was foaled of an acorn (1670s) was through early 19c. a way to say "be hanged from the gallows." Slang for heroin is first attested 1950. Horse latitudes first attested 1777, the name of unknown origin, despite much speculation. Dead horse as a figure for "something that has ceased to be useful" is attested from 1630s.
HORSEGODMOTHER, a large masculine wench; one whom it is difficult to rank among the purest and gentlest portion of the community. [John Trotter Brockett, "A Glossary of North Country Words," 1829]
The horse's mouth as a source of reliable information is from 1921, perhaps originally of racetrack tips, from the fact that a horse's age can be determined accurately by looking at its teeth. To swap horses while crossing the river (a bad idea) is from the American Civil War and appears to have been originally one of Abe Lincoln's stories. Horse and buggy meaning "old-fashioned" is recorded from 1926 slang, originally in reference to a "young lady out of date, with long hair."
Hun: Old English, person from a tribe from central Asia that overran Europe in the 4c. and 5c., from Medieval Latin Hunni, apparently ultimately from Turkic Hun-yü, the name of a tribe (they were known in China as Han or Hiong-nu). Figurative sense of "reckless destroyer of beauty" is from 1806. Applied to the German in World War I by their enemies because of stories of atrocities, but the nickname originally was urged on German soldiers bound for China by Kaiser Wilhelm II in 1900, which caused a scandal.
Limburger (n.): 1870, short for Limburger cheese (1817), from Limburg, province in northeast Belgium, where the cheese is made.
Some frauds a few years ago started a Limburger cheese factory down in Keyport, New Jersey, but the imposition was soon exposed. A man could come within 300 yards of the spurious article without being knocked down, and as the smell never had any effect on the town clock the business was soon discontinued. [John E. Boyd, "The Berkeley Heroine and Others Stories"]
The place name is from Germanic *lindo "lime tree" + *burg "fortification."
merengue (n.): popular dance, 1936, from Dominican Creole méringue, from French méringue (see meringue).
The Spanish word for this style of dance and music, merengue, literally means "meringue (the sweet dessert)" -- although it is unclear exactly how the dance might have come to be called "The Meringue." ["Spanish Word Histories and Mysteries," American Heritage Dictionaries, 2007]
Mickey Finn: "strong drink, drink laced with chloral hydrate," by 1928 (perhaps 1890s), of unknown origin. Presumably named after someone, but the various stories about the name cannot be substantiated.
moral (adj.): mid-14c., "pertaining to character or temperament" (good or bad), from Old French moral (14c.) and directly from Latin moralis "proper behavior of a person in society," literally "pertaining to manners," coined by Cicero ("De Fato," II.i) to translate Greek ethikos (see ethics) from Latin mos (genitive moris) "one's disposition," in plural, "mores, customs, manners, morals," of uncertain origin. Perhaps sharing a PIE root with English mood (n.1).

Meaning "morally good, conforming to moral rules," is first recorded late 14c. of stories, 1630s of persons. Original value-neutral sense preserved in moral support, moral victory (with sense of "pertaining to character as opposed to physical action"). Related: Morally.
moxie (n.): "courage," 1930, from Moxie, brand name of a bitter, non-alcoholic drink, 1885, perhaps as far back as 1876 as the name of a patent medicine advertised to "build up your nerve;" despite legendary origin stories put out by the company that made it, it is perhaps ultimately from a New England Indian word (it figures in river and lake names in Maine, where it is apparently from Abenaki and means "dark water"). Much-imitated in its day; in 1917 the Moxie Company won an infringement suit against a competitor's beverage marketed as "Proxie."
Munchausen: in reference to unbelievable stories (1850) is in reference to Baron Karl Friedrich Hieronymus von Münchhausen (1720-1797), German adventurer who served in the Russian army against the Turks; wildly exaggerated exploits attributed to him are told in the 1785 English book "Baron Munchausen, Narrative of his Marvellous Travels," written by Rudolph Erich Raspe (1734-1794). As a syndrome involving feigned dramatic illness, it is attested from 1951.
myth (n.): 1830, from French Mythe (1818) and directly from Modern Latin mythus, from Greek mythos "speech, thought, story, myth, anything delivered by word of mouth," of unknown origin.
Myths are "stories about divine beings, generally arranged in a coherent system; they are revered as true and sacred; they are endorsed by rulers and priests; and closely linked to religion. Once this link is broken, and the actors in the story are not regarded as gods but as human heroes, giants or fairies, it is no longer a myth but a folktale. Where the central actor is divine but the story is trivial ... the result is religious legend, not myth." [J. Simpson & S. Roud, "Dictionary of English Folklore," Oxford, 2000, p.254]
General sense of "untrue story, rumor" is from 1840.
novel (n.): "fictitious narrative," 1560s, from Italian novella "short story," originally "new story," from Latin novella "new things" (source of Middle French novelle, French nouvelle), neuter plural or fem. of novellus (see novel (adj.)). Originally "one of the tales or short stories in a collection" (especially Boccaccio's), later (1630s) "long work of fiction," works which had before that been called romances.
A novel is like a violin bow; the box which gives off the sounds is the soul of the reader. [Stendhal, "Life of Henri Brulard"]
philander (v.): 1737, from the noun meaning "a lover" (1700), from Philander, popular name for a lover in stories, drama, and poetry, from Greek adjective philandros "with love for people," perhaps mistaken as meaning "a loving man," from phil- "loving" (see philo-) + andr-, stem of aner "man" (see anthropo-). Related: Philandered; philandering.
poetic (adj.): 1520s, from poet + -ic, or else from or influenced by Middle French poetique (c. 1400), from Latin poeticus, from Greek poietikos "pertaining to poetry," literally "creative, productive," from poietos "made," verbal adjective of poiein "to make" (see poet). Related: Poetics (1727). Poetic justice "ideal justice as portrayed in plays and stories" is from 1670s. Poetic license attested by 1733.

Earlier adjective was poetical (late 14c.); also obsolete poetly (mid-15c.). Related: Poetically (early 15c.).
Prince Albert: "piercing that consists of a ring which goes through the urethra and out behind the glans," mid-20c., supposedly so-called from the modern legend that Albert of Saxe-Coburg-Gotha (1819-1861), prince consort of Queen Victoria, had one.

But the term seems to be not older than bodyart maven Doug Malloy and his circle, and the stories about the prince may be fantastical inventions. Perhaps there is some connection with Albert underworld/pawnshop slang for "gold watch chain" (1861), which probably is from the common portraits of the prince in which he is shown with a conspicuous gold watch chain. Many fashions in male dress made popular by him bore his name late 19c.
property (n.): c. 1300, properte, "nature, quality," later "possession, thing owned" (early 14c., a sense rare before 17c.), from an Anglo-French modification of Old French propriete "individuality, peculiarity; property" (12c., Modern French propreté; see propriety), from Latin proprietatem (nominative proprietas) "ownership, a property, propriety, quality," literally "special character" (a loan-translation of Greek idioma), noun of quality from proprius "one's own, special" (see proper). For "possessions, private property" Middle English sometimes used proper goods. Hot property "sensation, a success" is from 1947 in "Billboard" stories.
raggedy (adj.): 1845, U.S. Southern, from ragged + -y (2). Raggedy Ann stories first published 1918, character created by U.S. illustrator Johnny Gruelle (1880-1938). The tangle of tales about the origin of the doll and the name probably are mostly invention, sorrow's grieving-shrine for Marcella Gruelle (1902-1915), best left alone.
Rastus: also 'Rastus, masc. proper name, short for Erastus. As a stereotypical name of an American slave or derogatory for "black man," 1881, probably from use in stories of Joel Chandler Harris.
raven (n.): Old English hræfn (Mercian), hrefn; hræfn (Northumbrian, West Saxon), from Proto-Germanic *khrabanaz (cognates: Old Norse hrafn, Danish ravn, Dutch raaf, Old High German hraban, German Rabe "raven," Old English hroc "rook"), from PIE root *ker- (2), imitative of harsh sounds (cognates: Latin crepare "to creak, clatter," cornix "crow," corvus "raven;" Greek korax "raven," korone "crow;" Old Church Slavonic kruku "raven;" Lithuanian krauklys "crow").
Raven mythology shows considerable homogeneity throughout the whole area [northern regions of the northern hemisphere] in spite of differences in detail. The Raven peeps forth from the mists of time and the thickets of mythology, as a bird of slaughter, a storm bird, a sun and fire bird, a messenger, an oracular figure and a craftsman or culture hero. [Edward A. Armstrong, "The Folklore of Birds," 1958]
Old English also used hræmn, hremm. The raven standard was the flag of the Danish Vikings. The Quran connects the raven with Cain's murder of Abel; but in Christianity the bird plays a positive role in the stories of St. Benedict, St. Paul the Hermit, St. Vincent, etc. It was anciently believed to live to great old age, but the ancients also believed it wanting in parental care. The vikings, like Noah, were said to have used the raven to discover land. "When uncertain of their course they let one loose, and steered the vessel in his track, deeming that the land lay in the direction of his flight; if he returned to the ship, it was supposed to be at a distance" [Charles Swainson, "The Folk Lore and Provincial Names of British Birds," London, 1886].
romance (v.): late 14c., "recite a narrative," from Old French romancier "narrate in French; translate into French," from romanz (see romance (n.)). Later "invent fictitious stories" (1670s), then "be romantically enthusiastic" (1849); meaning "court as a lover" is from 1938, probably from romance (n.). Related: Romanced; romancing.
science fiction (n.): 1929 (first attested in advertisements for "Air Wonder Stories" magazine), though there is an isolated use from 1851; abbreviated form sci-fi is from 1955. Earlier in same sense was scientifiction (1916).
silly (adj.): Old English gesælig "happy, fortuitous, prosperous" (related to sæl "happiness"), from Proto-Germanic *sæligas (cognates: Old Norse sæll "happy," Old Saxon salig, Middle Dutch salich, Old High German salig, German selig "blessed, happy, blissful," Gothic sels "good, kindhearted"), from PIE *sele- "of good mood; to favor," from root *sel- (2) "happy, of good mood; to favor" (cognates: Latin solari "to comfort," Greek hilaros "cheerful, gay, merry, joyous").
This is one of the few instances in which an original long e (ee) has become shortened to i. The same change occurs in breeches, and in the American pronunciation of been, with no change in spelling. [Century Dictionary]
The word's considerable sense development moved from "happy" to "blessed" to "pious," to "innocent" (c. 1200), to "harmless," to "pitiable" (late 13c.), "weak" (c. 1300), to "feeble in mind, lacking in reason, foolish" (1570s). Further tendency toward "stunned, dazed as by a blow" (1886) in knocked silly, etc. Silly season in journalism slang is from 1861 (August and September, when newspapers compensate for a lack of hard news by filling up with trivial stories). Silly Putty trademark claims use from July 1949.
sincere (adj.): 1530s, "pure, unmixed," from Middle French sincere (16c.), from Latin sincerus, of things, "whole, clean, pure, uninjured, unmixed," figuratively "sound, genuine, pure, true, candid, truthful," of uncertain origin. Ground sense seems to be "that which is not falsified." Meaning "free from pretense or falsehood" in English is from 1530s.

There has been a temptation to see the first element as Latin sine "without." But there is no etymological justification for the common story that the word means "without wax" (*sin cerae), which is dismissed out of hand by OED and others, and the stories invented to justify that folk etymology are even less plausible. Watkins has it as originally "of one growth" (i.e. "not hybrid, unmixed"), from PIE *sm-ke-ro-, from *sem- "one" (see same) + root of crescere "to grow" (see crescent).
sob (n.): late 14c., from sob (v.). Sob story is from 1913. Sob sister "female journalist who writes sentimental stories or advice columns" is from 1912.
space (n.): c. 1300, "extent or area; room" (to do something), a shortening of Old French espace "period of time, distance, interval" (12c.), from Latin spatium "room, area, distance, stretch of time," of unknown origin (also source of Spanish espacio, Italian spazio).

From early 14c. as "a place," also "amount or extent of time." From mid-14c. as "distance, interval of space;" from late 14c. as "ground, land, territory; extension in three dimensions; distance between two or more points." From early 15c. as "size, bulk," also "an assigned position." Typographical sense is attested from 1670s (typewriter space-bar is from 1876, earlier space-key, 1860).

Astronomical sense of "stellar depths, immense emptiness between the worlds" is by 1723, perhaps as early as "Paradise Lost" (1667), common from 1890s. Space age is attested from 1946. Many compounds first appeared in science fiction and speculative writing, such as spaceship (1894, "A Journey in Other Worlds," John Jacob Astor); spacecraft (1928, "Popular Science"); space travel (1931); space station (1936, "Rockets Through Space"); spaceman (1942, "Thrilling Wonder Stories"). Space race attested from 1959. Space shuttle attested by 1970.
Space isn't remote at all. It's only an hour's drive away if your car could go straight upwards. [Sir Fred Hoyle, "London Observer," 1979]
spike (v.): 1620s, "to fasten with spikes," from spike (n.1). Meaning "to rise in a spike" is from 1958. Military sense (1680s) means "to disable guns by driving a large nail into the touch-hole." Figurative use of this sense is from 1823. Meaning "to lace (a drink) with liquor" is from 1889. Journalism sense of "to kill a story before publication" (1908) is from the metal spindle in which old-time editors filed hard copy of stories after they were set in type, or especially when rejected for publication. Related: Spiked; spiking.
starship (n.): "space ship," 1934 (in "Astounding Stories"), from star (n.) + ship (n.). Earlier in reference to celebrity.
storied (adj.2): "having stories or floors" of a certain type or number, 1620s, from story (n.2).
stork (n.): Old English storc "stork," from Proto-Germanic *sturkaz (cognates: Old Norse storkr, Swedish and Danish stork, Middle Dutch storc, Old High German storah, German Storch "stork"), from PIE *ster- "stiff" (cognates: Old English stear "stiff, strong;" see stark). Perhaps so called with reference to the bird's stiff or rigid posture. But some connect the word to Greek torgos "vulture."

Old Church Slavonic struku, Russian sterkhu, Lithuanian starkus, Hungarian eszterag, Albanian sterkjok "stork" are said to be Germanic loan-words. The children's fable that babies are brought by storks (told by adults who aren't ready to go into the details) is in English by 1854, from German and Dutch nursery stories, no doubt from the notion that storks nesting on one's roof meant good luck, often in the form of family happiness.
superior (adj.): late 14c., "higher in position," from Old French superior "higher, upper" (Modern French superieur), from Latin superiorem (nominative superior) "higher," comparative of superus "situated above, upper," from super "above, over" (see super-).

Meaning "higher in rank or dignity" is attested from late 15c.; sense of "of a higher nature or character" is attested from 1530s. Original sense was preserved more strongly in French (as in les étages supérieur "the upper stories"), and in Lake Superior, a loan-translation of French Lac Supérieur, literally "upper lake" (at 600 feet above sea-level it has the highest surface elevation of the five Great Lakes and is the furthest north).
Surprise a person of the class that is supposed to keep servants cleaning his own boots, & either he will go on with the job while he talks to you, as if it were the most natural thing in the world, or else he will explain that the bootboy or scullery-maid is ill & give you to understand that he is, despite appearances, superior to boot-cleaning. If he takes the second course, you conclude that he is not superior to it; if the first, that perhaps he is. [Fowler]
suspense (n.): c. 1400, "abeyance, temporary cessation; state of not being carried out" (of legal matters), from Anglo-French suspens (in en suspens "in abeyance," c. 1300), Old French sospense "delay, deferment (of judgement), act of suspending," from Latin suspensus, past participle of suspendere "to hang up; interrupt" (see suspend). Meaning "state of mental uncertainty with more or less anxiety" (mid-15c.) is from legal meaning, perhaps via notion of "awaiting an expected decision," or from "state of having the mind or thoughts suspended." As a genre of novels, stories, etc., attested from 1951.