1. The final part summarizes the features and impacts of Delftware's Chinoiserie.
论文最后总结了德尔夫特陶器之中国风格的特点与影响。
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2. These adaptations of Chinese art, called Chinoiserie, remained popular in Europe throughout the 18th century.
These适应中国艺术的西部适应，称Chinoiserie，被保留普遍在欧洲在18世纪过程中。
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3. The visages of European music and its connection with Chinoiserie of the 18th century are summarized in this paper.
本文探讨的主要内容是18世纪欧洲“中国热”背景下，欧洲音乐的面貌以及欧洲音乐与“中国热”的关系。
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4. Decorative painting was introduced to the European countries from the Middle and Far East. The French chinoiserie pieces were decorated in imitation of Chinese art.
欧洲国家的装饰绘画来自于中东和远东地区，法国历史上的中国风类装饰物件来自于模仿中国的相关艺术。
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5. Through the description of the culture communion history between China and Europe from about 1st century to 18th century, the historical root of Chinoiserie is explained in the paper.
主要通过对约1世纪到18世纪中欧文化交流的历史描述，说明18世纪“中国热”形成的历史根源。
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6. Borrowing directly from these early 18th century forms of Chinoiserie, I conduct a similar pattern of stylistic plagiarism, whereby Chinese archetypes are rendered through lesser sophisticated means.
7. Borrowing directly from these early 18th century forms of Chinoiserie, I conduct a similar pattern of stylistic plagiarism, whereby Chinese archetypes are rendered through lesser sophisticated means.
