1. 笔法墨法进一步丰富,尤其是积墨法的成功运用,增强了笔的表现力。
Especially his successful use of accumulate-ink method highlights the expression of brush.

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2. 通过这种对龚贤积墨法具体而微的个案研究,有助于我们更好的理解中国画笔墨语言自身的创造性和演进方式。
The miniatural research of Gong virtuous accumulated ink law is helpful for us to understand the creativity and the evolution way of Chinese traditional painting.

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3. 本文以杨立青的管弦乐作品《荒漠暮色》作为研究对象,借用了中国画用墨技法中的三个名词“积墨、破墨、泼墨”来解释和阐述这部作品中的几种管弦乐配器技法。
This thesis take Yang's orchestral work, Desert at dusk, as his research object, rely on three words in Chinese painting, which was amass ink, break ink, spill ink, all for explain this skill.

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4. 本文以杨立青的管弦乐作品《荒漠暮色》作为研究对象,借用了中国画用墨技法中的三个名词“积墨、破墨、泼墨”来解释和阐述这部作品中的几种管弦乐配器技法。
This thesis take Yang's orchestral work, Desert at dusk, as his research object, rely on three words in Chinese painting, which was amass ink, break ink, spill ink, all for explain this skill.

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