1. 本文主要考释了九例明清白话小说中的俗语词。
This essay provides explanations about 9 words in Ming and Qing popular novels.

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2. 晚明白话小说中塑造了大量栩栩如生的职业媒妁形象。
There are a lot of vivid professional match-makers in Baihua novels in late Ming dynasty.

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3. 小说续书的研究范围应当涵盖文言和白话小说两大系列。
The scope of the sequel study should include writings in classical Chinese and vernacular as well.

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4. 公元1918年鲁迅发表了第一部白话小说《狂人日记》。
AD 1918. Lu Xun published the first novel written in the vernacular, Diary of a Madman.

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5. 从小字注中可以看出长篇白话小说创作初期“说”与“写”的交融。
The small-word-note showed that "said" and "write" were blended in the early long novel's creation.

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6. 文章考察了明清白话小说中很多在今天普通话里已经不用了的孝感方言词语。
This article investigates the words in the popular novels of the Ming and Qing Dynasties that can be traced to Xiaogan dialect. Key Words:popular novels of Ming and Qing dynasties;

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7. 由于不明俗字俗语,在白话小说整理过程中,常常出现失校、误校、擅改的情况。
In collating the novels in the vernacular, errors often occurred in the wrong use of words, missing of words and wrong choice of words.

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8. 以变文为主体的唐五代白话小说,受此影响,也呈现出与传统文学有异的时空观念。
Influenced by this, the vernacular fiction in Tang Dynasty and Five Dynasties, mainly composed by Bianwen, also presents a different time-and-space concept from that of traditional literature.

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9. 研究材料包括:流行于清代的明清白话小说、清代刑科题本及清代的相关档案文献。
Materials examined here include vernacular fiction of the Ming and Qing periods that continued to be popular through the Qing period, and crime case reports and related documents from the Qing.

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10. 本文拟以明清白话小说语料为依据,对《宁波方言词典》中未曾溯源的若干词条作些考源。
The utmost study of dialect lexicon is tracing back to the sources of dialectical words.

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11. 作为一个具有较高历史地位和丰富人生经历的历史人物,孔子形象在我国古代白话小说中大量出现。
As a historical figure which have rich life experience and higher historical status, Confucius' images appear in a large amount of our country's ancient vernacular novel.

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12. 明代,尤其是明中叶之后,短篇白话小说进入空前繁荣勃兴的时代,涌现出大批反映市井平民生活的作品。
In Ming Dynasty, especially after mid-Ming, short vernacular fiction went into its greatest glory. Works expressing the life of common people emerged in large Numbers.

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13. 在整理国故运动中,新文化人发掘了明清白话小说和历史悠久的古代白话文传统,为白话文运动寻找国语范本和历史的渊源;
They explored Ming-Qing vernacular novels and ancient vernacular writings in order to look for a vernacular Chinese-language model and its historical origin.

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14. 文章以道教新特点对白话小说的影响为考察对象,运用文史互证的方法对其间的关系尤其是道教之对小说的影响作一简要分析。
The paper gives an introduction of the study and spread of the vernacular fiction in 17th century Suzhou, for it is of great importance in the history of Chinese literature.

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15. 九天玄女在《大宋宣和遗事》、《水浒传》、《后水浒传》、《说唐后传》等数部白话小说中频繁出现,成为众多英雄的保护神。
The Goddess of the Empyrean had come up in several classical novels. She had become the patroness of the heroes.

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16. 鲁迅先生的白话小说非常注重炼字锤句,准确地选用叠词,注意声音的配合和语言的节律,充分发挥语言的协调美,提高了表达效果,增强了感染力和战斗力。
He selected the reduplicated words accurately, paied attention to the voices and language with the rhythm, and gave full play to the coordination of language.

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17. 本文对明代白话小说《醒世姻缘传》一书中的“旅旅道道”、“没试没试”、“乜乜踅踅”、“抿耳”、“身命”、“坠”等方言词语做了进一步考释,补充并纠正了目前对这些词语解释的不足和失误。
This article tried to explain a few vernacular words which appeared in Xingshiyinyuanzhuan, to make use of dialects to correct the mistakes or deficiencies in explanation of the vernacular words.

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18. 通过阅读他以新式的白话文写就的短篇小说,读者们(大多数人是第一次)认识到小说创作也可以是带有特定目的的。
Cast in a new, modern vernacular, his short stories declared to readers, for almost the first time, that fiction could serve sophisticated, serious purposes.

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19. 当时,作为一种文学创作形式,白话小说一直受世人冷眼。
Vernacular fiction was scorned as a disreputably popular form.

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20. 白话 章回小说在叙述中穿插诗词歌赋,这是《三国演义》的一种艺术创造。
The creative use of verses in the process of narration in Chinese vernacular fiction was initiated by The Three Kingdoms.

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21. 作家鲁迅先生发表了著名的第一篇白话小说《狂人日记》。
Also the writer Lu Xun published the first, and justifiably famous, story in modern Chinese, Diary of a Madman.

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22. 第四章探讨白话公案小说中判官形象塑造的艺术手法。
Chapter four is discussed to the artful way of making up the judge images in the vernacular courtcase stories.

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23. 可以说,不论在理论上还是实践上,李渔都是清代最有创造力的白话短篇小说作家。
As it were, both in theory and in practice, Li Yu is the most creative one in the vernacular short story writers in the Qing Dynasty.

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24. 明代白话短篇小说因继承宋元“说话”伎艺而来,对于情节部分尤为注重,故具有对其进行深入、系统研究的价值。
The vernacular short stories of Ming Dynasty paid much more attention to plot because it depended on "storytelling" skills in Song and Yuan Dynasties.

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25. 通俗小说具有标识性的文体形态,表现为以白话为其语言标识;以章回体为其文体标识和以类型化为其题材标识。
Popular stories possess noticeble stylist forms, characterized by the language mark in vernacular, the stylist mark in chapter and the form mark as in subject matter of categorization.

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26. 可以说,体现故事的传奇性、讽刺性、揄扬性是清代白话公案小说着力表现超人力因素的直接动机。
That is to say, incarnated the legendry, satire, praise of the stories were the direct purposes of the elements of ghosts and gods in the vernacular detective of Qing Dynasty.

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27. 可以说,体现故事的传奇性、讽刺性、揄扬性是清代白话公案小说着力表现超人力因素的直接动机。
That is to say, incarnated the legendry, satire, praise of the stories were the direct purposes of the elements of ghosts and gods in the vernacular detective of Qing Dynasty.

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