The main subjects of Yue opera are stories about wits and beauties (才子佳人).
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2. 这些书就是一套子，左不过是些才子佳人，最没趣儿。
There is a sameness about all these tales. They're so stereotyped — all about talented scholars and lovely ladies.
《新英汉大辞典》
3. 第三部分是才子佳人小说理想婚姻论。
The third part is about the ideal marriage of novels of gifted scholars and beautiful ladies.
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4. 天生才子佳人搭配，只羡鸳鸯不羡神仙。
Natural beauties collocation, only envy mandarin duck not envy immortal.
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5. 全城所有的才子佳人都出席了这次宴会。
All the wits and beauties of the town were present at the party.
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6. 这些书都是写才子佳人的。
These books are all about talented scholars and lovely ladies.
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7. 正是这种改变和弥补，显示出才子佳人小说非凡的叙事学意义。
It is the change and the compensation that make such romances an extraordinary significance.
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8. 他的一百多部小说基本上都延续了传统文化中的才子佳人模式。
More of his 100 novels have largely continued the traditional culture of the scholar-beauty models.
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9. 明清才子佳人小说探讨了一个社会性别话题：女性与知识的关系。
Scholar Beauty Romances discuss the gender issue from a sociological perspective: the relationship between females and knowledge.
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10. 千禧年结千年缘，百年身伴百年眠。天生才子佳人配，只羡鸳鸯不羡仙！
Millennium "in one thousand, and one thousand with one hundred years of sleep. Natural beauties, only envy mandarin duck not envyimmortal."
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11. 《玉娇梨》作为才子佳人小说的代表性作品，其在这方面的体现尤具典型意义。
As a representative fictitious work of Gifted Scholars and Beautiful Ladies, Yu Jiao Li has a very typical meaning in this aspect.
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12. 才子佳人小说是中国古代小说的一个独特类型，有其鲜明的艺术特质和艺术价值。
Scholar-Beauty Romance is a special style of Chinese trandition novel which has distinct artistic characteristics.
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13. 才子佳人小说是产生于明末清初的一个重要的小说流派，学界对其概念的界定尚未统一。
The romantic novels about the talented scholars and the beautiful ladies is an important school of fiction, which occurs in the last period of Ming and the early period of Qing Dynasties.
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14. 明清时期的才子佳人小说几乎都是以科举及第、奉旨成婚的大团圆形式结局，缺乏悲剧精神。
At the same time , the conflicts of the drama are always settled as the model of reunion at the end.
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15. 这一对夫妻共同将越剧推展到新的境地，他们创作了新剧目打破了越剧固有的传统的才子佳人模式。
The couple have teamed up to push Shaoxing Opera across new frontiers. Together they've produced new plays that break away from the traditional romance-centered formula.
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16. 压力比想象中的大很多，古玩稀瓷器是才子佳人的玩意儿，是四旧要破的产物，只有偷偷干，小心干。
Pressure in the imagination than a porcelain is rare, antique beauties stuff, is the product of capitalism to break, only secretly dry, be careful dry.
Once a lifetime of two or even more once the set, breaking the "Romantic" novel "once a lifetime, " the traditional form once-Health, Jordan-Sitting conflict such diversity.
Romantic novel is a novel during the late Ming and early Qing type, their number and the duration of the long, creative tendencies of the agreement is unprecedented in the history of the novel.
The disguising of the beauties in Scholar Beauty Novels was only present in private domain and has not been real into the public, let alone showing ability.
The romances about gifted male and beauty written in the late Ming Dynasty and early Qing Dynasty changed the narrative viewpoint and actively filled in the immature gap in fictional narrative.
The most part of narration base on history, its plot, characters, battle description imitate Three Kingdoms, so we can say that Ling Nan Yi Shi is a Three-Kingdoms-ized romance.
The most part of narration base on history, its plot, characters, battle description imitate Three Kingdoms, so we can say that Ling Nan Yi Shi is a Three-Kingdoms-ized romance.
