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panorama: panorama: [18] The word panorama was coined in the late 1780s by an Irish artist called Robert Barker for a method he had invented for painting a scene on the inside of a cylinder in such a way that its perspective would seem correct to someone viewing it from inside the cylinder. He put his invention into practice in 1793 when he opened his ‘Panorama’, a large building in Leicester Square, London where the public could come and gaze at such all-encompassing scenes. By the early years of the 19th century the word (formed from the prefix pan- ‘all’ and Greek hórāma ‘view’, a derivative of horān ‘see’) had acquired all its modern extended meanings.
pantomime: pantomime: [17] In ancient Rome, a pantomīmus was a ‘mime artist’, a sort of Marcel Marceau performer who acted scenes, incidents, etc without words. The term was adopted from Greek pantómōmos ‘complete imitator’, a compound formed from panto- ‘all’ and mōmos ‘imitator, actor’ (source of English mime). English originally took the word over in this historical sense, and it was not until the early 18th century that it began to be used first for a sort of mime ballet and then for a play without words, relating a popular tale, which gradually developed into the Christmas fairy-tale pantomimes of the 19th and 20th centuries.

The abbreviation panto dates from the mid-19th century.
=> mime
behind (adv.): Old English behindan "behind, after," from bi "by" + hindan "from behind" (see hind (adj.)). The prepositional sense emerged in Old English. Euphemistic noun meaning "backside of a person" is from 1786. Phrase behind the times is from 1905. Behind the scenes (1711) is from the theater; figurative sense attested by 1779.
bohemian (n.): "a gypsy of society," 1848, from French bohemién (1550s), from the country name (see Bohemia). The modern sense is perhaps from the use of this country name since 15c. in French for "gypsy" (they were wrongly believed to have come from there, though their first appearance in Western Europe may have been directly from there), or from association with 15c. Bohemian heretics. It was popularized by Henri Murger's 1845 story collection "Scenes de la Vie de Boheme," the basis of Puccini's "La Bohème." Used in English 1848 in Thackary's "Vanity Fair."
The term 'Bohemian' has come to be very commonly accepted in our day as the description of a certain kind of literary gipsey, no matter in what language he speaks, or what city he inhabits .... A Bohemian is simply an artist or littérateur who, consciously or unconsciously, secedes from conventionality in life and in art. ["Westminster Review," 1862]
decal (n.): by 1909, shortening of decalcomania, from French décalcomanie, from décalquer (18c.) "transferring of a tracing from specially prepared paper to glass, porcelain, etc." (in vogue in France 1840s, England 1862-64), from de- "off" + calquer "to press," from Italian calcare, from Latin calcare "to tread on, press."
Time was when there were only printers employed in making the sheets that were stuck on the ware, giving the old-time term of "plain print." This form of decoration was succeeded a few years ago by the decalcomania or "decal." This "decal" is an imported sheet, lithographed, and the little sprigs, flowers and scenes are cut out and stuck on the ware. ["Brick, the Leading Clay Journal," April 1909]
fiction (n.): early 15c., ficcioun, "that which is invented or imagined in the mind," from Old French ficcion "dissimulation, ruse; invention, fabrication" (13c.) and directly from Latin fictionem (nominative fictio) "a fashioning or feigning," noun of action from past participle stem of fingere "to shape, form, devise, feign," originally "to knead, form out of clay," from PIE *dheigh- "to build, form, knead" (source also of Old English dag "dough;" see dough).

Meaning "prose works (not dramatic) of the imagination" is from 1590s, at first often including plays and poems. Narrower sense of "the part of literature comprising novels and short stories based on imagined scenes or characters" is by early 19c. The legal sense (fiction of law) is from 1580s. A writer of fiction could be a fictionist (1827). The related Latin words included the literal notion "worked by hand," as well as the figurative senses of "invented in the mind; artificial, not natural": Latin fictilis "made of clay, earthen;" fictor "molder, sculptor" (also borrowed 17c. in English), but also of Ulysses as "master of deceit;" fictum "a deception, falsehood; fiction."
flying (adj.): early 15c., replacing forms from Old English fleogende "flying, winged;" present participle adjective from fly (v.1). The meaning "attached so as to have freedom of movement" (1670s) is the source of the nautical use (flying jib, etc.). Meaning "designed for rapid movement" (especially in military terms) is from 1660s; meaning "passing, hasty, temporary, rapidly constructed" is from 1763.

Flying fish is from 1510s; flying buttress is from 1660s. Flying Dutchman, ghost ship off the Cape of Good Hope, is attested since 1803 [John Leyden, "Scenes of Infancy," who describes it as "a common superstition of mariners"]. Flying colors (1706) probably is from the image of a naval vessel with the national flag bravely displayed. Flying machine is from 1736 as a theoretical device. Flying saucer first attested 1947, though the image of saucers for unidentified flying objects is from at least 1880s.
genre (n.): 1770, "particular style of art," a French word in English (nativized from c. 1840), from French genre "kind, sort, style" (see gender (n.)). Used especially in French for "independent style." In painting, as an adjective, "depicting scenes of ordinary life" (a domestic interior or village scene, as compared to landscape, historical, etc.) from 1849.
Macbeth: masc. proper name, Gaelic, literally "son of life." The first reference to bad luck associated with Shakespeare's "Macbeth," and to avoidance of naming it, is from 1896, alludes to an incident of 1885, and says the tradition goes back "so far as modern memory can recall." The original superstition seems to have pertained particularly to the witches' scenes, which were played up dramatically in 19c. productions, and especially to Matthew Locke's 17c. music to accompany the witches' song, which was regularly played through the 19th century.
It is strange how the effect of this music has exerted such a long surviving influence on members of the dramatic profession. It is still considered most unlucky to sing, hum, or whistle the witch airs in the theatre except in the ways of business. [Young-Stewart, "The Three Witches," in "The Shakespearean," Sept. 15, 1896]

If you number an actor or actress among your friends, and desire to retain his or her friendship, there are three things you positively must not do, especially if the actor is of the old school. Do not whistle in the theatre, do not look over his shoulder into the glass while he is making up, and do not hum the witch's song from "Macbeth." ... [O]lder actors would almost prefer to lose their salary than go on in "Macbeth" on account of this song. They believe that it casts spells upon the members of the company. ["Some Odd Superstitions of the Stage," "Theatre" magazine, July 1909]
nostalgia (n.): 1770, "severe homesickness considered as a disease," Modern Latin, coined 1668 in a dissertation on the topic at the University of Basel by scholar Johannes Hofer (1669-1752) as a rendering of German heimweh (for which see home + woe). From Greek algos "pain, grief, distress" (see -algia) + nostos "homecoming," from PIE *nes- "to return safely home" (cognate with Old Norse nest "food for a journey," Sanskrit nasate "approaches, joins," German genesen "to recover," Gothic ganisan "to heal," Old English genesen "to recover"). French nostalgie is in French army medical manuals by 1754.

Originally in reference to the Swiss and said to be peculiar to them and often fatal, whether by its own action or in combination with wounds or disease. By 1830s the word was used of any intense homesickness: that of sailors, convicts, African slaves. "The bagpipes produced the same effects sometimes in the Scotch regiments while serving abroad" [Penny Magazine," Nov. 14, 1840]. It is listed among the "endemic diseases" in the "Cyclopaedia of Practical Medicine" [London, 1833, edited by three M.D.s], which defines it as "The concourse of depressing symptoms which sometimes arise in persons who are absent from their native country, when they are seized with a longing desire of returning to their home and friends and the scenes their youth ...." It was a military medical diagnosis principally, and was considered a serious medical problem by the North in the American Civil War:
In the first two years of the war, there were reported 2588 cases of nostalgia, and 13 deaths from this cause. These numbers scarcely express the real extent to which nostalgia influenced the sickness and mortality of the army. To the depressing influence of home-sickness must be attributed the fatal result in many cases which might otherwise have terminated favorably. ["Sanitary Memoirs of the War," U.S. Sanitary Commission, N.Y.: 1867]
Transferred sense (the main modern one) of "wistful yearning for the past" first recorded 1920, perhaps from such use of nostalgie in French literature. The longing for a distant place also necessarily involves a separation in time.
pastorale (n.): musical composition from rustic tunes or representing pastoral scenes," 1724, from Italian pastorale, noun use of adjective, from Latin pastoralis (see pastoral).
revue (n.): 1872, "show presenting a review of current events," from French revue, from Middle French, literally "survey," noun use of fem. past participle of revoir "to see again" (see review (n.)). Later extended to shows consisting of a series of unrelated scenes.
rural (adj.): early 15c., from Old French rural (14c.), from Latin ruralis "of the countryside," from rus (genitive ruris) "open land, country," from PIE *reue- (1) "to open; space" (see room (n.)).
In early examples, there is usually little or no difference between the meanings of rural and rustic, but in later use the tendency is to employ rural when the idea of locality (country scenes, etc.) is prominent, and rustic when there is a suggestion of the more primitive qualities or manners naturally attaching to country life. [OED]
Related: Rurally.
scenario (n.): 1868, "sketch of the plot of a play," from Italian scenario, from Late Latin scenarius "of stage scenes," from Latin scena "scene" (see scene). Meaning "imagined situation" is first recorded 1960, in reference to hypothetical nuclear wars.
scene (n.): 1530s, "subdivision of an act of a play," also "stage-setting," from Middle French scène (14c.), from Latin scaena, scena "scene, stage of a theater," from Greek skene "wooden stage for actors," also "that which is represented on stage," originally "tent or booth," related to skia "shadow, shade," via notion of "something that gives shade," from PIE root *skai- "to shine, flicker, glimmer" (see shine (v.)).

Meaning "material apparatus of a theatrical stage" is from 1540s. Meaning "place in which the action of a literary work occurs" is attested from 1590s; general (non-literary) sense of "place where anything is done or takes place" is recorded from 1590s. Hence U.S. slang sense of "setting or milieu for a specific group or activity," attested from 1951 in Beat jargon. Meaning "stormy encounter between two or more persons" is attested from 1761. Behind the scenes "having knowledge of affairs not apparent to the public" (1660s) is an image from the theater, "amid actors and stage machinery" (out of sight of the audience). Scene of the crime (1923) first attested in Agatha Christie.
senescence (n.): 1690s, from senescent + -ence. Related: Scenescency (1660s).
senescent (adj.): 1650s, from Latin senescentem (nominative scenescens), present participle of senescere "to grow old," from senex "old" (see senile).
storied (adj.1): late 15c., "ornamented with scenes from history" (of books, walls, etc.), from past participle of verb form of story (n.1). Meaning "celebrated in history or legend" is from 1725.
tragi-comedy (n.): also tragicomedy, "characterized by both serious and comic scenes," 1570s, from Middle French tragicomédie (1540s), from Italian tragicommedia, from Late Latin tragicomoedia, contraction of tragicocomoedia (Plautus), from tragicus (see tragic) + comoedia (see comedy).
walk-on (n.): "minor non-speaking role," 1902, theatrical slang, from the verbal phrase walk on, attested in theater jargon by 1897 with a sense "appear in crowd scenes," from walk (v.) + on (adv.). Meaning "actor who has such a part" is attested from 1946. The sports team sense is recorded from 1974.
myriorama: "A picture consisting of a number of separate sections which are capable of being combined in numerous ways to form different scenes", Early 19th cent.; earliest use found in The European Magazine. From ancient Greek μυρίος countless + -orama.