英语词源字典 - 在线词源网站

Cheshire [Cheshire 词源字典]: 1086, Cestre Scire, from Chester + scir "district" (see shire). Cheshire cat and its proverbial grin are attested from 1770, but the signification is obscure.
I made a pun the other day, and palmed it upon Holcroft, who grinned like a Cheshire cat. (Why do cats grin in Cheshire?--Because it was once a county palatine, and the cats cannot help laughing whenever they think of it, though I see no great joke in it.) I said that Holcroft, on being asked who were the best dramatic writers of the day, replied, "HOOK AND I." Mr Hook is author of several pieces, Tekeli, &c. You know what hooks and eyes are, don't you? They are what little boys do up their breeches with. [Charles Lamb, letter to Thomas Manning, Feb. 26, 1808]
[Cheshire etymology, Cheshire origin, 英语词源]
empathy (n.): 1908, modeled on German Einfühlung (from ein "in" + Fühlung "feeling"), which was coined 1858 by German philosopher Rudolf Lotze (1817-1881) as a translation of Greek empatheia "passion, state of emotion," from assimilated form of en "in" (see en- (2)) + pathos "feeling" (see pathos). A term from a theory of art appreciation that maintains appreciation depends on the viewer's ability to project his personality into the viewed object.
Not only do I see gravity and modesty and pride and courtesy and stateliness, but I feel or act them in the mind's muscles. This is, I suppose, a simple case of empathy, if we may coin that term as a rendering of Einfühlung; there is nothing curious or idiosyncratic about it; but it is a fact that must be mentioned. [Edward Bradford Titchener, "Lectures on the Experimental Psychology of the Thought Processes," 1909]

... there is no doubt that the facts are new and that they justify their name: the art work is a thing of "empathy" (Titchener, Ward), of "fellow feeling" (Mitchell), of "inner sympathy" (Groos), of "sympathetic projection" (Urban), of "semblance of personality" (Baldwin), all terms suggested by different writers as renderings of the German Einfühlung. ["The American Yearbook," 1911]
eye (n.): c. 1200, from Old English ege (Mercian), eage (West Saxon) "eye; region around the eye; apperture, hole," from Proto-Germanic *augon (cognates: Old Saxon aga, Old Frisian age, Old Norse auga, Swedish öga, Danish øie, Middle Dutch oghe, Dutch oog, Old High German ouga, German Auge, Gothic augo "eye").

Apparently the Germanic form evolved irregularly from PIE *okw- "to see" (cognates: Sanskrit akshi "the eye; the number two," Greek opsis "a sight," Old Church Slavonic oko, Lithuanian akis, Latin oculus, Greek okkos, Tocharian ak, ek, Armenian akn).
HAMLET: My father -- methinks I see my father.
HORATIO: Where, my lord?
HAMLET: In my mind's eye, Horatio.
Until late 14c. the English plural was in -an, hence modern dialectal plural een, ene. Of potatoes from 1670s. Of peacock feathers from late 14c. As a loop used with a hook in fastening (clothes, etc.) from 1590s. The eye of a needle was in Old English. As "the center of revolution" of anything from 1760. Nautical in the wind's eye "in the direction of the wind" is from 1560s.

To see eye to eye is from Isa. lii:8. Eye contact attested from 1953. To have (or keep) an eye on "keep under supervision" is attested from early 15c. To have eyes for "be interested in or attracted to" is from 1736; make eyes at in the romance sense is from 1837; gleam in (someone's) eye (n.) "barely formed idea" is from 1959. Eye-biter was an old name for "a sort of witch who bewitches with the eyes."
pornography (n.): 1843, "ancient obscene painting, especially in temples of Bacchus," from French pornographie, from Greek pornographos "(one) depicting prostitutes," from porne "prostitute," originally "bought, purchased" (with an original notion, probably of "female slave sold for prostitution"), related to pernanai "to sell," from PIE root *per- (5) "to traffic in, to sell" (see price (n.)) + graphein "to write" (see -graphy). A brothel in ancient Greek was a porneion.
Pornography, or obscene painting, which in the time of the Romans was practiced with the grossest license, prevailed especially at no particular period in Greece, but was apparently tolerated to a considerable extent at all times. Parrhasius, Aristides, Pausanias, Nicophanes, Chaerephanes, Arellius, and a few other [pornographoi] are mentioned as having made themselves notorious for this species of license. [Charles Anthon, "Dictionary of Greek and Roman Antiquities," New York, 1843]
In reference to modern works by 1859 (originally French novels), later as a charge against native literature; sense of "obscene pictures" in modern times is from 1906. Also sometimes used late 19c. for "description of prostitutes" as a matter of public hygiene. The "Medical Archives" in 1873 proposed porniatria for "the lengthy and really meaningless expression 'social evil hospital' ...."
I shall not today attempt further to define the kinds of material I understand to be embraced within that shorthand description [hard-core pornography]; and perhaps I could never succeed in intelligibly doing so. But I know it when I see it, and the motion picture involved in this case is not that. [U.S. Supreme Court Justice Potter Stewart, concurring opinion, "Jacobellis v. Ohio," 1964]
In ancient contexts, often paired with rhypography, "genre painting of low, sordid, or unsuitable subjects." Pornocracy (1860) is "the dominating influence of harlots," used specifically of the government of Rome during the first half of the 10th century by Theodora and her daughters. Pornotopia (1966) was coined to describe the ideal erotic-world of pornographic movies.
uppercut (n.): in pugilism, a close-in strike upward with the fist, 1831, from upper + cut (n.). Perhaps the image is of chopping a tree by making cuts up (as well as down) in the trunk.
It was on a side hill, and I observed a boy, who appeared to be about fifteen years of age, opposite the house felling a large tree; he had cut a few chips from the under side, and was then making the principal incision on the upper. ... I said to the boy, "Well Sir, I see that you make the upper cut." "That is the true cut," said the boy; "for if you will take the axe and try below, you will find that the tree will crowd down upon your chips, and you can't get it down in double the time." [Theodore Sedgwick, "Hints to My Countrymen," 1826]
video (adj.): 1935, as visual equivalent of audio, from Latin video "I see," first person singular present indicative of videre "to see" (see vision). As a noun, "that which is displayed on a (television) screen," 1937.
Engineers, however, remember the sad fate of television's first debut and are not willing to allow "video transmission" (as television is now called by moderns) to leave the laboratory until they are sure it will be accepted. ["The Michigan Technic," November 1937]
video game is from 1973.
vision (n.): c. 1300, "something seen in the imagination or in the supernatural," from Anglo-French visioun, Old French vision "presence, sight; view, look, appearance; dream, supernatural sight" (12c.), from Latin visionem (nominative visio) "act of seeing, sight, thing seen," noun of action from past participle stem of videre "to see."

This is from the productive PIE root *weid- "to know, to see" (cognates: Sanskrit veda "I know;" Avestan vaeda "I know;" Greek oida, Doric woida "I know," idein "to see;" Old Irish fis "vision," find "white," i.e. "clearly seen," fiuss "knowledge;" Welsh gwyn, Gaulish vindos, Breton gwenn "white;" Gothic, Old Swedish, Old English witan "to know;" Gothic weitan "to see;" English wise, German wissen "to know;" Lithuanian vysti "to see;" Bulgarian vidya "I see;" Polish widzieć "to see," wiedzieć "to know;" Russian videt' "to see," vest' "news," Old Russian vedat' "to know").

The meaning "sense of sight" is first recorded late 15c. Meaning "statesman-like foresight, political sagacity" is attested from 1926.