1. Example on right USES a filllight ratio of 1:2 (fill: sunlight) with an on-camera flash.
正确使用例子比1：2的填充光(填：阳光)和一个摄影闪光灯。
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2. I always try to use warms colors for the Key Light and cold colors for the FillLight too.
我经常尝试暖色调的主光和冷色调的补光。
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3. Less filllight is often used for dark, "low key" style portraits with well-defined shadows.
少是常用于填充光暗，“低调”风格的肖像有清楚的阴影。
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4. The Numbers are sometimes also reversed, but the smaller number always refers to the filllight.
这些数字都是有时也逆转，但始终是指数量较少的填充光。
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5. The reflection is dimmer than the main light, so reflectors are most commonly used as a filllight.
反射是调光比主体的反射光线，所以是最常用作为填充光。
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6. For example, a value of 1:4 means that the filllight is a quarter the intensity of the main light.
例如，一个价值1：4意味着是一个季度的填充光强度的主要的光。
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7. Perhaps the easiest way to achieve this type of filllight is to use a built-in or on-camera flash.
也许最容易的方法去达到这个类型的填充光是使用一个内置或摄影闪光灯。
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8. All scenes have some amount of filllight - regardless of whether this has been added intentionally.
所有的场景有一定的填充光——无论这个已经加入了故意。
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9. However, a disadvantage is that reflectors often don't provide enough light (even for a filllight).
然而，一个不利因素是反射常常不提供足够的光(甚至为一个填充光)。
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10. Light from the main source bounces off walls and other objects, which collectively ACTS as a filllight.
光从反弹的主要来源，墙壁和其它物体的集体行为作为一种填充光。
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11. Best of all, a filllight is easy to create: either a simple on-camera flash or a reflector is often sufficient.
最重要的是，一个填充光很容易创造：不是一个简单的闪光或反射器指向通常是足够了。
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12. Perhaps the most common lighting scenario is to use an on-camera flash as the filllight, and sunlight as the main light.
也许最常见的照明场景是使用一个摄影闪光灯作为填充光，阳光会为主要的光。
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13. My light setup included four lights: two lights at high intensity for the rim light, one key light, and one ambient filllight.
我的灯安装在包括四个灯的边缘光高强度：两个灯，一键轻，一个环境补光。
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14. Thus far we've focused on scenarios where natural light is the main light source, and the camera's flash is used as the filllight.
到目前为止我们已经关注情况下自然光线是主要的光源，相机的闪光灯作为填充光。
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15. Many therefore use a filllight which strikes their subject from a direction which partially opposes the main light (" off-axis ").
许多因此使用填充光并袭击他们的专业方向部分反对主要光(“偏离”)。
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16. On the other hand, an on-axis filllight might be too restricting, and has a higher chance of producing direct reflections off the subject.
另一方面，一个上填充光可能太的限制，有更高的几率产生直接反映了这个话题。
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17. This tutorial therefore focuses on how to control the location and intensity of the filllight in order to produce a desired portrait appearance.
这篇教程因此着重于如何控制位置和强度的填充光为了产生令人满意的肖像的外观。
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18. An off-axis filllight also technically isn't a true fill light, since it cannot lighten all shadows visible to the camera - just those from its direction.
一个离轴填充光也不是一个真正专门填充光，因为它不能减轻所有阴影可见的相机——只是那些从它的方向。
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19. That way, any shadows cast by the filllight won't be visible from the camera's perspective, so it won't matter if these appear hard (due to a small source).
这样，任何以填充光投射出的阴影不可以从相机的视角，所以它不会事如果这些出现硬(由于一个小来源)。
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20. However, off-axis fill has its own disadvantages, with perhaps the worst being that one now has to worry about the appearance of shadows from the filllight.
然而，离轴填充有其不足之处，也许最坏的就是一个现在要担心的样子填充光暗处。
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21. Similarly, more filllight might be necessary to render a brighter "high key" style, or just to provide a softer appearance (such as with a photograph of a baby).
25. You can even Angle your flash up and behind you to fill a small to normal-size room up with beautiful light. Spin it around and up at about 45 degrees to hit the wall and ceiling behind you.
26. These 'trees' provide seating, shade and acoustic absorption and at night they serve as an illuminate bodies which fill the room with white or blue glowing light.
这些“树”形的家具可以坐、可以遮阴、可以吸声，夜晚还可以做为发光体透出白色或者蓝色的光。
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27. This time the flash fires just the right amount of light to "fill-in" the subject with the flash produced light. Now you have a rather nice shot where you can see the subject and the background.
28. This time the flash fires just the right amount of light to "fill-in" the subject with the flash produced light. Now you have a rather nice shot where you can see the subject and the background.
