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abstract (adj.)[abstract 词源字典]: late 14c., originally in grammar (of nouns), from Latin abstractus "drawn away," past participle of abstrahere "to drag away, detach, pull away, divert;" also figuratively, from ab(s)- "away" (see ab-) + trahere "draw" (see tract (n.1)).

Meaning "withdrawn or separated from material objects or practical matters" is from mid-15c. That of "difficult to understand, abstruse" is from c. 1400. Specifically in reference to modern art, it dates from 1914; abstract expressionism as an American-based uninhibited approach to art exemplified by Jackson Pollock is from 1952, but the term itself had been used in the 1920s of Kandinsky and others.
Oswald Herzog, in an article on "Der Abstrakte Expressionismus" (Sturm, heft 50, 1919) gives us a statement which with equal felicity may be applied to the artistic attitude of the Dadaists. "Abstract Expressionism is perfect Expressionism," he writes. "It is pure creation. It casts spiritual processes into a corporeal mould. It does not borrow objects from the real world; it creates its own objects .... The abstract reveals the will of the artist; it becomes expression. ..." [William A. Drake, "The Life and Deeds of Dada," 1922]

Then, that art we have called "abstract" for want of any possible descriptive term, with which we have been patient, and, even, appreciative, getting high stimulation by the new Guggenheim "non-objective" Art Museum, is reflected in our examples of "surrealism," "dadaism," and what-not, to assert our acquaintance in every art, fine or other. [Report of the Art Reference Department of Pratt Institute Free Library for year ending June 30, 1937]
[abstract etymology, abstract origin, 英语词源]
Guggenheim (n.): grant for advanced study, from the John Simon Guggenheim Foundation, established 1925 by U.S. Sen. Simon Guggenheim (1867-1941) in memory of his son, who died young. The senator's brother was an arts patron who founded the Solomon R. Guggenheim Foundation in 1937, which grew into the Guggenheim Museum of modern art. The surname is German, said to mean literally "swamp hamlet" or "cuckoo hamlet."
modern (adj.): c. 1500, "now existing;" 1580s, "of or pertaining to present or recent times;" from Middle French moderne (15c.) and directly from Late Latin modernus "modern" (Priscian, Cassiodorus), from Latin modo "just now, in a (certain) manner," from modo (adv.) "to the measure," ablative of modus "manner, measure" (see mode (n.1)). Extended form modern-day attested from 1909.

In Shakespeare, often with a sense of "every-day, ordinary, commonplace." Slang abbreviation mod first attested 1960. Modern art is from 1807 (by contrast to ancient); modern dance first attested 1912; first record of modern jazz is from 1954. Modern conveniences first recorded 1926.
post-modern (adj.): also post-modern, post modern, by 1919, in frequent use from 1949, from post- + modern.
But it has been only during the later decades of the modern era -- during that time interval that might fairly be called the post-modern era -- that this mechanistic conception of things has begun seriously to affect the current system of knowledge and belief; and it has not hitherto seriously taken effect except in technology and in the material sciences. [Thorstein Veblen, "The Vested Interests and the Common Man," 1919]

So much for the misapplied theory which has helped set the artist's nerves a-quiver and incited him to the extremes of post modern art, literary and other. [Wilson Follett, "Literature and Bad Nerves," "Harper's," June 1921]
Of architecture from 1940s; specific sense in the arts emerged 1960s (see postmodernism).
Wardour-street (n.): "affected pseudo-archaic diction of historical novels," 1888, from street in London lined with shops selling imitation-antique furniture.
This is not literary English of any date; this is Wardour-Street Early English -- a perfectly modern article with a sham appearance of the real antique about it. [A. Ballantyne, "Wardour-Street English," Longman's Magazine, October, 1888]