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classical (adj.): 1590s, "of the highest rank" (originally in literature), from classic + -al (1). Classical music (1836) was defined originally against romantic music.
[I]n general, as now used, the term classical includes the composers active in instrumental music from somewhere about 1700 to say 1830. Hence the list includes among the great names those of Bach, his sons, Haydn, Mozart, Beethoven, Clementi, Dussek, Pleyel, Cramer, etc. The next step beyond the term classical is "modern romantic," the composers of which school may be taken to include all the writers for pianoforte from about 1829 (when Mendelssohn published the first "Songs without Words") down to the present. The term romantic in this sense means strongly marked, extraordinary, intending to tell stories and the like. ["Music, Its Ideals and Methods," W.S.B. Mathews, 1897]
But already by 1880s it was acknowledged the term had a double sense: Music that had withstood the test of time, as well as music of a style contrasted to "romantic." Later (early 20c.) it was contrasted to jazz (in this sense more often with reference to the orchestras than to the music itself). Still later in contrast to popular music generally (mid-20c.).
elegant (adj.): late 15c., "tastefully ornate," from Middle French élégant (15c.), from Latin elegantem (nominative elegans) "choice, fine, tasteful," collateral form of present participle of eligere "select with care, choose." Meaning "characterized by refined grace" is from 1520s. Latin elegans originally was a term of reproach, "dainty, fastidious;" the notion of "tastefully refined" emerged in classical Latin. Related: Elegantly.
Elegant implies that anything of an artificial character to which it is applied is the result of training and cultivation through the study of models or ideals of grace; graceful implies less of consciousness, and suggests often a natural gift. A rustic, uneducated girl may be naturally graceful, but not elegant.
gentleman (n.): c. 1200, perhaps mid-12c., "well-born man, man of good family or birth," also extended to Roman patricians and ancient Greek aristocrats, from gentle + man (n.); the compound probably is modeled on Old French gentilhomme (the English gentleman itself was borrowed into French in 18c.).

Given specific uses in late Middle English (small gentleman, gentleman-of-arms, gentleman-usher, etc.), hence in England the word often meant any man above the social rank of a yeoman, including the nobility, but it was sometimes restricted to those who bear a coat of arms but not a title; in U.S., "man of property, not engaged in business or a profession" (1789). The English word from the beginning also had a special sense "nobleman whose behavior conforms to the ideals of chivalry and Christianity," and gentleman came to be used loosely for any man of good breeding, courtesy, kindness, honor, strict regard for the feelings of others, etc.
The Gentleman is always truthful and sincere; will not agree for the sake of complaisance or out of weakness ; will not pass over that of which he disapproves. He has a clear soul, and a fearless, straightforward tongue. On the other hand he is not blunt and rude. His truth is courteous; his courtesy, truthful; never a humbug, yet, where he truthfully can, he prefers to say pleasant things. [J.R. Vernon, "Contemporary Review," 1869]
Eventually, in polite use, it came to mean a man in general, regardless of social standing. Related: Gentlemen. Gentleman's agreement is first attested 1929. Gentleman farmer recorded from 1749, "A man of means who farms on a large scale, employs hands, and does little or none of the work himself" [Craigie, "Dictionary of American English"].
George: masc. personal name, from French Georges, Late Latin Georgius, from Greek Georgos "husbandman, farmer," properly an adjective, "tilling the ground," from ge "earth" (see Gaia) + ergon "work" (see organ). The name introduced in England by the Crusaders (a vision of St. George played a key role in the First Crusade), but not common until after the Hanoverian succession (18c.). St. George began to be recognized as patron of England in time of Edward III, perhaps because of his association with the Order of the Garter (see garter). His feast day is April 23. The legend of his combat with the dragon is first found in "Legenda Aurea" (13c.). The exclamation by (St.) George! is recorded from 1590s.
The cult of George reached its apogee in the later Middle Ages: by then not only England, but Venice, Genoa, Portugal, and Catalonia regarded him as their patron: for all he was the personification of the ideals of Christian chivalry. [The Oxford Dictionary of Saints]
Hellenism (n.): c. 1600, "idiom or expression peculiar to Greek;" see Hellenic + -ism. In sense "culture and ideals of ancient Greece," 1865.
idealist (n.): "one who represents things in an ideal form," 1829, from ideal + -ist. Earlier (1796) in a philosophical sense "one who believes reality consists only in (Platonic) ideals."
It seems even incredible, that any Idealist in any age could forget himself so far as to run his head against a post, merely because he found in his system, that no external world does exist, and that therefore nothing could be without to hurt him. [F.A. Nitsch, "A General and Introductory View of Professor Kant's Principles," 1796]
Earlier still, "one who holds doctrines of philosophical idealism" (1701).
sellout (n.): also sell-out, "corrupt bargain," 1862 (in Mary Chesnut's diary), from the verbal phrase (at that time often meaning "dispose of one's interests" in a company, etc.), from sell (v.) + out (adv.). Meaning "event for which all tickets have been sold" is attested from 1923. The verbal phrase sell out "prostitute one's ideals or talents" is attested from 1888.