英语词源字典 - 在线词源网站

castanet [castanet 词源字典]: castanet: [17] Castanets were originally named in Spanish from their resemblance to the shells of chestnuts, Spanish castañeta being a diminutive form of castaña ‘chestnut’, from Latin castanea (itself the ultimate source of English chestnut). Another name for them in 17th-century English was knackers: ‘Castinettas: knackers of the form of chestnuts, used to this day by the Spaniards in their dances’, Robert Stapylton, Juvenal’s sixteen satires 1647.
=> chestnut[castanet etymology, castanet origin, 英语词源]
choreography: choreography: [18] Choreography ‘arrangement of dances’ comes from French choréographie, which was based on Greek khoreíā ‘dance’, a derivative of khorós. (Source of English chorus, choir, and possibly also carol, this originally encompassed dancing as well as singing.) Khoreíā passed into Latin as chorea, applied in English to various muscular disorders (such as Huntington’s chorea); the usage probably originated in the Latin phrase chorea sancti Viti ‘St Vitus’s dance’.
=> carol, choir, chorea, chorus
hobby: hobby: Hobby in the sense ‘pastime’ is short for hobbyhorse. This originated in the 16th century as a term for the figure of a horse used in morris dances: the element hobby, used since the 14th century for a ‘small horse’, was derived from Hob, a pet form of the man’s name Robert or Robin which survives also in hobgoblin [16]. From the morris-dance hobbyhorse was descended the toy hobbyhorse, a stick with a horse’s head on top; and the notion of ‘riding a hobbyhorse’, which could not actually take you anywhere, passed metaphorically into ‘doing something only for amusement’ – hence the meaning ‘pastime’, first recorded for hobbyhorse in the 17th century and for the shortened hobby in the early 19th century. Hobby ‘bird of prey’ [15] comes from Old French hobet, a diminutive form of hobe ‘small bird of prey’, whose origins are not known.
=> hobbyhorse, hobgoblin
bunny (n.): 1680s, diminutive of Scottish dialectal bun, pet name for "rabbit," previously (1580s) for "squirrel," and also a term of endearment for a young attractive woman or child (c. 1600). Ultimately it could be from Scottish bun "tail of a hare" (1530s), or from French bon, or from a Scandinavian source. The Playboy Club hostess sense is from 1960. The Bunny Hug (1912), along with the foxtrot and the Wilson glide, were among the popular/scandalous dances of the ragtime era.
contra dance: 1803, from French contre-danse, altered from English country dance by folk etymology from French contra "against," suggested by the arrangement of the partners in the dance. The dances and the name were taken up in France c. 1720s and from there passed to Spain and Italy (Spanish, Italian contra danza) then back to English.
correspondent (n.): "one who communicates with another by letters," 1620s, from correspondent (adj.). The newspaper sense is from 1711.
THE life of a newspaper correspondent, as may naturally be supposed, is one of alternate cloud and sunshine--one day basking in an Andalusian balcony, playing a rubber at the club on the off-nights of the Opera, being very musical when the handsome Prima Donna sings, and very light fantastic toeish when the lively Prima Ballerina dances; another day roughing it over the Balkan, amid sleet and snow, or starving at the tail of an ill-conditioned army, and receiving bullets instead of billets-doux. ["New Monthly Magazine," vol. 95, 1852, p.284]
figurante (n.): "one who dances in the 'figures' of the ballet" (in troops and as background for soloists), 1775, from French figurante, noun use of fem. past participle of figurer (see figure (v.)). In some cases perhaps from Italian figurante.
hoedown (n.): "noisy dance," 1841, apparently originally the name of a specific dance, perhaps from perceived parallel of dance motions to those of farm chores, hence from hoe (n.).
The step of every negro dance that was ever known, was called into requisition and admirably executed. They performed the "double shuffle," the "Virginny break-down," the "Kentucky heeltap," the "pigeon wing," the "back balance lick," the "Arkansas hoe down," with unbounded applause and irresistible effect. ["Scouting Expeditions of McCulloch's Texas Rangers," 1848]
"Hoe corn, hill tobacco" is noted as a line in the chorus of a slave song in 1838, and Washington Irving writes of a dance called "hoe corn and dig potatoes" in 1807.
The same precedence is repeated until all the merchandise is disposed of, the table is then banished the room, and the whole party hoe it down in straight fours and set dances, till the hour when "ghosts wandering here and there, troop home to church-yards." This is what we kintra folk call a strauss. ["Der Teufelskerl. A Tale of German Pennsylvania," in "Burton's Gentleman's Magazine," January 1840]
Ionian (adj.): "of Ionia," the districts of ancient Greece inhabited by the Ionians (including Attica and the north coast of the Peloponnesus, but especially the coastal strip of Asia Minor, including the islands of Samos and Chios). The name (which Herodotus credits to an ancestral Ion, son of Apollo and Creusa) probably is pre-Greek, perhaps related to Sanskrit yoni "womb, vulva," and a reference to goddess-worshipping people.

Also used of the sea that lies between Italy and the northern Peloponnesus (1630s). The musical Ionian mode (1844) corresponds to our basic major scale but was characterized by the Greeks as soft and effeminate, as were the Ionians generally.
The Ionians delighted in wanton dances and songs more than the rest of the Greeks ... and wanton gestures were proverbially termed Ionic motions. [Thomas Robinson, "Archæologica Græca," 1807]
jazz (n.): by 1912, American English, first attested in baseball slang; as a type of music, attested from 1913. Probably ultimately from Creole patois jass "strenuous activity," especially "sexual intercourse" but also used of Congo dances, from jasm (1860) "energy, drive," of African origin (compare Mandingo jasi, Temne yas), also the source of slang jism.
If the truth were known about the origin of the word 'Jazz' it would never be mentioned in polite society. ["Étude," Sept. 1924]
All that jazz "et cetera" first recorded 1939.
pas (n.): "a step in dancing," 1775, from French pas; see pass (n.). Used in forming names for types of dances, such as pas de deux (1762).
polka (n.): 1844, from French polka, German Polka, probably from Czech polka, the dance, literally "Polish woman" (Polish Polka), fem. of Polak "a Pole." The word might also be an alteration of Czech pulka "half," for the half-steps of Bohemian peasant dances. Or it could be a merger of the two. The dance was in vogue first in Prague, 1835; it reached London by the spring of 1842.
Vous n'en êtes encore qu'au galop, vieil arriéré, et nous en sommes à la polka! Oui, c'est la polka que nous avons dansée à ce fameux bal Valenlino. Vous demandez ce que c'est que la polka, homme de l année dernière! La contredanse a vécu; le galop, rococo; la valse à deux temps, dans le troisième dessous; il n'y a plus que la polka, la sublime, l'enivrante polka, dont les salons raffolent, que les femmes de la haute, les banquiéres les plus cossues et les comtesses les plus choenosophoses étudient jour et nuit. ["La France Dramatique," Paris, 1841]
As a verb by 1846 (polk also was tried).
square (adj.): early 14c., "containing four equal sides and right angles," from square (n.), or from Old French esquarre, past participle of esquarrer. Meaning "honest, fair," is first attested 1560s; that of "straight, direct" is from 1804. Of meals, from 1868.

Sense of "old-fashioned" is 1944, U.S. jazz slang, said to be from shape of a conductor's hand gestures in a regular four-beat rhythm. Square-toes meant nearly the same thing late 18c.: "precise, formal, old-fashioned person," from the style of men's shoes worn early 18c. and then fallen from fashion. Squaresville is attested from 1956. Square dance attested by 1831; originally one in which the couples faced inward from four sides; later of country dances generally.
[T]he old square dance is an abortive attempt at conversation while engaged in walking certain mathematical figures over a limited area. [March 1868]
trochee (n.): metrical foot consisting of a long followed by a short syllable, or an accented followed by an unaccented one, 1580s, from French trochée, from Latin trochaeus "a trochee," from Greek trokhaios (pous), literally "a running (foot)," from trekhein "to run" (see truckle (n.)). Its rapid movement rendered it a fit accompaniment to dances.
twist (n.): mid-14c., "flat part of a hinge" (now obsolete), probably from Old English -twist "divided object; fork; rope" (as in mæsttwist "mast rope, stay;" candeltwist "wick"), from Proto-Germanic *twis-, from PIE root *dwo- (see two). Original senses suggest "dividing in two" (cognates: cognate Old Norse tvistra "to divide, separate," Gothic twis- "in two, asunder," Dutch twist, German zwist "quarrel, discord," though these senses have no equivalent in English), but later ones are of "combining two into one," hence the original sense of the word may be "rope made of two strands."

Meaning "thread or cord composed of two or more fibers" is recorded from 1550s. Meaning "act or action of turning on an axis" is attested from 1570s. Sense of "beverage consisting of two or more liquors" is first attested c. 1700. Meaning "thick cord of tobacco" is from 1791. Meaning "curled piece of lemon, etc., used to flavor a drink" is recorded from 1958. Sense of "unexpected plot development" is from 1941.

The popular rock 'n' roll dance craze is from 1961, so called from the motion involved, but twist was used to describe popular dances in 1894 and again in the 1920s. To get one's knickers in a twist "be unduly agitated" is British slang first attested 1971.
Vitus: from Latinized form of Svanto-vit, name of a Slavic god worshiped with ecstatic dances on the Baltic island of Rügen, transferred by Christian missionaries to Saint Vitus. The Italian form of the name is Guido.