英语词源字典 - 在线词源网站

agog [agog 词源字典]: agog: [15] Agog probably comes from Old French gogue ‘merriment’. It was used in the phrase en gogue, meaning ‘enjoying oneself’ (Randle Cotgrave, in his Dictionarie of the French and English tongues 1611, defines estre en ses gogues as ‘to be frolicke, lustie, lively, wanton, gamesome, all-a-hoit, in a pleasant humour; in a veine of mirth, or in a merrie mood’), and this was rendered into English as agog, with the substitution of the prefix a- (as in asleep) for en and the meaning toned down a bit to ‘eager’.

It is not clear where gogue came from (it may perhaps be imitative of noisy merrymaking), but later in its career it seems to have metamorphosed into go-go, either through reduplication of its first syllable (gogue had two syllables) or through assimilation of the second syllable to the first: hence the French phrase à go-go ‘joyfully’, and hence too English go-go dancers.
[agog etymology, agog origin, 英语词源]
choir: choir: [13] Modern choirs merely sing, but far back in time they danced too. The word comes ultimately from Greek khorós, which in ancient Greek drama signified a group of singers and dancers who commented on the action of the play (the element of dance is preserved in choreography). In Latin, khorós became chorus – whence English chorus [16], choral, and probably also carol. The Latin form in turn developed to Old French quer, in which form it was borrowed into English; the spelling choir, modelled on Latin and the modern French form choeur, was introduced in the 17th century.
=> carol, choreography, chorus
aurora borealis (n.): 1620s, "Northern Lights," literally "northern dawn," said to have been coined by French philosopher Petrus Gassendus (1592-1655) after a spectacular display seen in France Sept. 2, 1621; see aurora + boreal. In northern Scotland and among sailors, sometimes called the dancers or the merry dancers.
break dancing (n.): 1982, but the style itself evolved late 1970s in South Bronx. The reference is to the rhythmic break in a pop-dance song (see break (n.)), which the DJs isolated and the dancers performed to. Breakdown "a riotous dance, in the style of the negroes" is recorded from 1864.
chorus (n.): 1560s, from Latin chorus "a dance in a circle, the persons singing and dancing, the chorus of a tragedy," from Greek khoros "band of dancers or singers, dance, dancing ground," perhaps from PIE *gher- "to grasp, enclose," if the original sense of the Greek word is "enclosed dancing floor." Extension from dance to voice is because Attic drama arose from tales inserted in the intervals of the dance. In Attic tragedy, the khoros (of 12 or 15 (tragic) or 24 (comedic) persons) gave expression, between the acts, to the moral and religious sentiments evoked by the actions of the play.
When a Poet wished to bring out a piece, he asked a Chorus from the Archon, and the expenses, being great, were defrayed by some rich citizen (the khoregos): it was furnished by the Tribe and trained originally by the Poet himself" [Liddell & Scott]
Originally in English used in theatrical sense; meaning of "a choir" first attested 1650s. Meaning "the refrain of a song" (which the audience joins in singing) is 1590s. As a verb, 1703, from the noun. Chorus girl is 1894.
ghawazee (n.): Egyptian dancing-girls, 1799, from Arabic gawazi, plural of gaziya. "In Egypt, a degraded class of public dancers, male and female, by some considered a race of Gipsies, devoted to the amusement of the lowest populace" [Century Dictionary, 1902].
hula (n.): "traditional dance of Hawaii," 1825, from Hawaiian. As a verb from 1952. Hula hoop first recorded in fall of 1958, when it was a craze; so called from resemblance of motions of one using it to the dancers' hip circles.
orchestra (n.): c. 1600, "area in an ancient theater for the chorus," from Latin orchestra, from Greek orkhestra, semicircular space where the chorus of dancers performed, with suffix -tra denoting place + orkheisthai "to dance," intensive of erkhesthai "to go, come," from PIE root *ergh- "to mount" (cognates: Sanskrit rghayati "trembles, rages, raves," rnoti "rises, moves," arnah "welling stream;" Old Persian rasatiy "he comes;" Greek ornynai "to rouse, start;" Latin oriri "to rise," origo "a beginning;" Gothic rinnan, Old English irnan "to flow, run"). In ancient Rome, it referred to the place in the theater reserved for senators and other dignitaries. Meaning "group of musicians performing at a concert, opera, etc." first recorded 1720; "part of theater in front of the stage" is from 1768.
pasties (n.): "adhesive patches worn over the nipples by exotic dancers," 1957, plural diminutive from paste (v.).
petty (adj.): late 14c., "small," from phonemic spelling of Old French petit "small" (see petit). In English, not originally disparaging (as still in petty cash, 1834; petty officer, 1570s). Meaning "of small importance" is recorded from 1520s; that of "small-minded" is from 1580s. Related: Pettily; pettiness. An old name for "Northern Lights" was petty dancers.
queue (n.): late 15c., "band attached to a letter with seals dangling on the free end," from French queue "a tail," from Old French cue, coe "tail" (12c., also "penis"), from Latin coda (dialectal variant or alternative form of cauda) "tail," of unknown origin. Also in literal use in 16c. English, "tail of a beast," especially in heraldry. The Middle English metaphoric extension to "line of dancers" (c. 1500) led to extended sense of "line of people, etc." (1837). Also used 18c. in sense of "braid of hair hanging down behind" (first attested 1748).
symposium (n.): 1580s, "account of a gathering or party," from Latin symposium "drinking party, symposium," from Greek symposion "drinking party, convivial gathering of the educated" (related to sympotes "drinking companion"), from assimilated form of syn- "together" (see syn-) + posis "a drinking," from a stem of Aeolic ponen "to drink," cognate with Latin potare "to drink" (see potion).
The symposium usually followed a dinner, for the Greeks did not drink at meals. Its enjoyment was heightened by intellectual or agreeable conversation, by the introduction of music or dancers, and by other amusements. [Century Dictionary]
The sense of "a meeting on some subject" is from 1784. Reflecting the Greek fondness for mixing wine and intellectual discussion, the modern sense is especially from the word being used as a title for one of Plato's dialogues. Greek plural is symposia, and the leader of one is a symposiarch (c. 1600 in English). Related: Symposiac (adj.); symposial.
tights (n.): 1827, "tight-fitting breeches," from tight. Meaning "skin-tights worn by dancers, acrobats, etc." is attested from 1836.
troupe (n.): 1825, "company, band," especially of performers, actors, dancers, etc., from French troupe "company" (see troop (n.)).
two-step (n.): dance style, 1893, from two + step (n.); so called for the time signature of the music (as distinguished from the three-step waltz). But as the positions taken by the dancers involved direct contact, it was highly scandalous in its day and enormously popular.
A certain Division of an Auxiliary gave a dance not long since. I went and looked on. What did they dance? Two-step, two-step and two-step. How did they dance? When we used to waltz, we clasped arms easily, took a nice, respectable position, and danced in a poetry of motion. Now, girls, how do you two-step? In nine cases out of ten the dear girl reposes her head on the young man's shoulder, or else their faces press each other. He presses her to his breast as closely as possible, and actually carries her around. Disgraceful? I should say so. Do you wonder at the ministers preaching on dancing as a sin, when it looks like this to a woman like myself who believes in dancing and has danced all her life? Mothers, as you love your girls, forbid them to dance after this manner. [letter in the ladies' section of "Locomotive Engineers' Monthly Journal," March 1898]

To the Two Step may be accredited, serious injury to the Waltz, awkward and immodest positions assumed in round dancing, also as being a prominent factor in overcrowding the profession and causing a general depression in the business of the legitimate Master of Dancing. ["The Director," March 1898]
waltz (n.): round dance performed to music in triple time, extraordinarily popular as a fashionable dance from late 18c. to late 19c., the dance itself probably of Bohemian origin, 1781, from German Waltzer, from walzen "to roll, dance," from Old High German walzan "to turn, roll," from Proto-Germanic *walt- (cognate with Old Norse velta), from PIE root *wel- (3) "to turn, revolve" (see volvox). Described in 1825 as "a riotous and indecent German dance" [Walter Hamilton, "A Hand-Book or Concise Dictionary of Terms Used in the Arts and Sciences"].
The music struck up a beautiful air, and the dancers advanced a few steps, when suddenly, to my no small horror and amazement, the gentlemen seized the ladies round the waist, and all, as if intoxicated by this novel juxtaposition, began to whirl about the room, like a company of Bacchanalians dancing round a statue of the jolly god. "A waltz!" exclaimed I, inexpressibly shocked, "have I lived to see Scotch women waltz?" ["The Edinburgh Magazine," April, 1820]