BASICyoudaoicibaDictYouDict
computer language, 1964, initialism (acronym) for Beginners' All-purpose Symbolic Instruction Code; invented by Hungarian-born U.S. computer scientist John G. Kemeny (1926-1992) and U.S. computer scientist Thomas E. Kurtz (b.1928).
paint (v.)youdaoicibaDictYouDict
early 13c., "represent in painting or drawing, portray;" early 14c., "paint the surface of, color, stain;" from Old French peintier "to paint," from peint, past participle of peindre "to paint," from Latin pingere "to paint, represent in a picture, stain; embroider, tattoo," from PIE root *peig- (1), also *peik- "to cut" (cognates: Sanskrit pimsati "hews out, cuts, carves, adorns," Old Church Slavonic pila "file, saw," Lithuanian pela "file").

Sense evolution between PIE and Latin was, presumably, from "decorate with cut marks" to "decorate" to "decorate with color." Compare Sanskrit pingah "reddish," pesalah "adorned, decorated, lovely," Old Church Slavonic pegu "variegated;" Greek poikilos "variegated;" Old High German fehjan "to adorn;" Old Church Slavonic pisati, Lithuanian piesiu "to write." Probably also representing the "cutting" branch of the family is Old English feol (see file (n.2)).

To paint the town (red) "go on a spree" first recorded 1884; to paint (someone or something) black "represent it as wicked or evil" is from 1590s. Adjective paint-by-numbers "simple" is attested by 1970; the art-for-beginners kits themselves date to c. 1953.
pons (n.)youdaoicibaDictYouDict
"bridge," in various Latin expressions, from Latin pons "bridge, connecting gallery, walkway," earlier probably "way, passage," from PIE *pent- "to go, tread" (see find (v.)). Especially pons asinorum "bridge of asses," nickname for the fifth proposition of the first book of Euclid, which beginners and slow wits find difficulty in "getting over": if two sides of a triangle are equal, the angles opposite these sides also are equal.
recorder (n.)youdaoicibaDictYouDict
"chief legal officer of a city," early 15c., from Anglo-French recordour (early 14c.), Old French recordeor "witness; storyteller; minstrel," from Medieval Latin recordator, from Latin recordari "remember" (see record (v.)).

Meaning "registering apparatus" is from 1873. The musical instrument is attested by this name from early 15c., from record (v.) in the obsolete sense of "practice a tune." Used by Shakespeare and Milton ("of flutes and soft recorders," "Paradise Lost"). The name, and the device, were rarely heard by mid-1800s, ousted by the flute, but enjoyed a revival after 1911 as an easy-to-play instrument for musical beginners.