1. People did not accept atonal music at that time.
那时,人们还不接受无调性音乐。

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2. There is great atonal music and terrible atonal music.
无调性音乐中既有宏伟动人之作,又有糟得吓人之作。

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3. We are trying to follow some general intern atonal practice.
我们在尝试按国际惯例办事。

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4. There is hardly any atonal compositions in vocal music teaching.
在声乐教学中,几乎看不到无调性声乐作品的采用。

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5. The majority always turn an unfavorable attitude towards atonal composition.
大多数人对无调性作品的态度往往是不能接受的。

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6. The majority always turn an unfavorable attitude towards atonal composition .
大多数人对无调性作品的态度往往是不能接受的。

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7. Good for you, A. J ", she said. You're experimenting in atonal compositions."
“这对你有好处,A .J,”她说,“你是在尝试创作无调性的曲子吧。”

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8. But, you know, in disguise, but the music is atonal, screeching and forgettable.
但是,你知道,变相,但音乐是无调,戛然和。

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9. Michelangelo Antonioni's only American film, an atonal fantasia on the late 1960s.
安东尼奥尼拍摄的唯一一部美国电影,一部关于1960年代晚期的无调性幻想曲。

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10. But for the more musically literate vandal, an atonal barrage probably works better.
不过对那些在音乐上有点儿修养的坏蛋来说,不成调调连珠炮似的乐曲就会更奏效。

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11. Certainly there have been moments when that thinking has gone horribly awry — atonal music or molecular gastronomy.
当然,在某些时候这种想法结出了可怕的果实——例如非调性音乐或是分子料理。

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12. In other words, your spontaneous, visceral hatred of atonal music reflects your true, healthy, normal reaction to abstract art.
换句话说,你对于无调性音乐天然、生理的厌恶代表着你面对抽象艺术时真实、健康、正常的反应。

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13. He has used aggressive tactics to popularize atonal music, even joining a symphony that specializes in the music of Shoenberg.
他利用积极手段普及无调音乐,甚至加入专门演奏舒恩伯格音乐的交响乐团。

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14. When you listen to atonal music, for example Schoenberg, you are stuck in your seat for a quarter of an hour that feels like many hours in a dentist's chair.
听无调性音乐时(比如勋伯格),在座位上坐一刻钟简直有如在牙医的诊断椅上坐了几小时。

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15. Another danger in trying to make your mappings complex is that you tend to code up your own musical prejudices (be they Eastern or Western, tonal or atonal) in those mappings.
让映射复杂化的另一危险之处在于容易在映射中编写自己的音乐偏好(东方或者西方,有音调或者无音调)。

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16. An enormous literature exists on the relationship between abstract painting and atonal music, and the extensive Kandinsky-Schoenberg correspondence can be found on the Internet.
关于抽象绘画与无调性音乐之关系的文献汗牛充栋,康、勋二人之书信往来也能在互联网上找到。

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17. This is done mainly by elaborating the connections between Debussy's piano works and the Chinese culture in various aspects such as atonal mode, melody and rhythm, genre subjects and so on.
此部分从调式调性、旋律与节奏、题材与体裁、演奏等各方面阐述德彪西钢琴作品与中国文化之间的联系。

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18. This is done mainly by elaborating the connections between Debussy's piano works and the Chinese culture in various aspects such as atonal mode, melody and rhythm, genre subjects and so on.
此部分从调式调性、旋律与节奏、题材与体裁、演奏等各方面阐述德彪西钢琴作品与中国文化之间的联系。

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